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Calendar for the Year of the Ox, I don't love the famous works of the past dynasties, but I love the cows he painted, because the eyes of the cows he painted are affectionate

Release Time:2022-06-04 Topic:stock bull market picture Reading:71 Navigation:Stock Liao information > Society > Calendar for the Year of the Ox, I don't love the famous works of the past dynasties, but I love the cows he painted, because the eyes of the cows he painted are affectionate phone-reading

Chen Hongbiao|Wen [full text 2794, 28 pictures]

The calendar for the year of the ox, I don't love the famous masterpieces of the past dynasties, but I love the ox he painted because his ox's eyes are affectionate!

1. Before the Year of the Ox arrives on the desk calendar, I will try my best to find him to buy the copyright of the cow painting

The Year of the Ox represents a new beginning. After experiencing the new crown epidemic, everyone hopes that the Year of the Ox can be arrogant, turn things around, and live a prosperous and prosperous life again.

Before the Year of the Ox arrives, some companies are already designing next year's desk or wall calendars.

And this makes Chen Lixin, who is a painter, a little overwhelmed, and this is the first time I have encountered such a situation.

I used to like him to paint cows, and they all bought paintings from him, but now suddenly someone is looking for him, not to buy paintings , but to buy the copyright of his paintings for the calendar.

Enterprises in Shenyang, find him the "Ox" desk calendar for the Year of the Ox. During the epidemic, his friend posted Chen Lixin's paintings on WeChat. The momentum of running the bull deeply shocked him, and the feeling of the cow lying in the water was very gentle, especially the kind that floated in the water. The very gentle strokes left a deep impression on him.

When the Year of the Ox came, he found the friend who sent WeChat and asked for help to find this Painters who paint cows should bring these cow paintings to the calendar.

Some gift companies also came to him, wanting to print the ox he painted on the gift, which not only caters to the year of the ox, but also improves the quality of the gift.

This made him a little strange. There have been painters of cow paintings in all dynasties, and there are many famous works. They are used on the Internet. , and there is no copyright issue, why bother?

2. Why don't you love the famous masterpieces of the past dynasties and prefer the cows he painted?

And there are not one or two people who have such needs. Why don't you love the famous masterpieces of the past dynasties and prefer the cows he painted?

Chen Lixin was surprised by the answer.

The reason is very simple, just look at the ox you draw is lovable and arrogant, which is very suitable for the new atmosphere of the year of the ox.

Like the stock market, I like to get lucky in the bull market.

This kind of implication and folk appeal should be very common. Is it true that the cows painted by famous artists in all dynasties have no such meaning?

It stands to reason that the calligraphy and painting that can be passed down to this day must be treasures of masterpieces after the great waves of the long river.

3. Famous painters of past dynasties have painted cows, but can't find a bullish one?

I really did some research on this, what was the result?

One of the top ten famous paintings in China, Han Huang's "Five Bulls" in the Tang Dynasty (see the picture below). On the yellowed picture, the five cows are lined up from left to right, one is grazing with their heads bowed, the other is leaning forward, the other is looking back and licking their tongues, the other is walking slowly, and the other is rubbing against the thorns. Every cow is plump and strong, but it lacks some vigor, let alone arrogance.

Dai Song's "Bull Fighting Picture" (see the picture below) in the Tang Dynasty is also a masterpiece of bull painting handed down from generation to generation. It is very expressive and arrogant, but the wildness and stubbornness are also on the paper, and it is still not suitable for use as a desk calendar.

The "Hundred Bulls" by Li Tang in the Southern Song Dynasty (see the picture below) is more like a group of large and small cattle walking together, In the relaxed moment of grazing and grazing, the whole picture has a leisurely taste.

In the Southern Song Dynasty Li Di's "Wind and Rain Shepherds Returning Picture" (see the picture below), two shepherd boys ride a big buffalo, each driving the cattle home against the wind in the rain, although the picture is interesting, But in reality, how can a buffalo be afraid of rain?

The appearance of these two cows on the screen is really not flattering. Of course not on the calendar.

Ming Dynasty Zhang Lu's "Lao Tzu Riding a Bull" (see the picture below), Lao Tzu sits on the back of the ox, holds the "Tao Te Ching" scroll, and is looking up at a flying bat.

This is the same as Yang Jin's "Riding a Bull in Stone Valley" (see the picture below) in the Qing Dynasty, riding on the back of a bull , roaming the country trails, walking slowly.

This is all the style of literati and poets, and the cow gate riding under it either looks like a sheep's head, or a bitter melon face.

Qing Dynasty Shitao's "Playing the Qin to the Ox" (see the picture below) is full of desolation and loneliness, which is not suitable for the Year of the Ox. meteorological.

I have come to the famous modern artist, Qi Baishi's bull (see the next two pictures), I don't like to draw bull's head, not anymore A cow's butt is a drawing of a cow in the shape of a pig, which looks the same from a distance.

The cow painted by Xu Beihong (see below Picture), the nostrils are like the nostrils of a horse, large and upward, and the bull's eye is also a little scary.

Li Keran's cow (see the next two pictures) looks like both a yak and an elephant, with its eyes always closed Yes, are you angry, or are you too lazy to open it?

In short, why did the good big buffalo grow into a new breed under his pen.

Pan Tianshou's buffalo (see the picture below), soaked in water, is the closest to the real buffalo It is also the most vivid, and among the painters of all dynasties, the most down-to-earth cow.

Unfortunately, a person is drawn in the pupil of the bull's eye. A little bit of cow spirit.

Huang Zhou, who is famous for drawing donkeys, likes to draw water buffaloes (see the next two pictures).

In 1976, he painted more than 100 buffalo paintings, "all of which could not be made into paintings. There are many reasons, mainly due to lack of life and little contact with buffaloes."

This is what he wrote in an inscription. Later, he had the opportunity to live in Suzhou, Hangzhou and southern Anhui.

There is nothing wrong with the shape of the cow in his paintings, except that the ears of the cow are short and pointed, like the ears of a donkey.

Han Meilin, a master of arts and crafts, also painted cows (see picture below).

His cows are very good, but they are too abstract. What he draws is a kind of symbol, not a cow with flesh and blood, and it is not a cow that people see in the eyes. It is an art cow, an arts and crafts cow.

The artistic value of such a cow must be very high, and there must be many people who like it, so it is made into stamps and made into I bought portrait crafts, but I am embarrassed to use it as a desk calendar and a wall calendar.

Because you read it, you will feel that this is not a cow, and you will doubt your own aesthetics.

So, looking at the cows painted by famous masters of the past dynasties, it is really as these companies say, although the famous masterpieces of all dynasties are good, But it is not suitable to be used as a desk calendar for the Year of the Ox.

Because it is either too ancient or modern, the shape is not down to earth, and it does not have the taste of bullshit, so there is no one that can be used as a desk calendar.

4. After 35 years of painting cows in the countryside, the cows painted are down-to-earth

On the other hand, the cows painted by Chen Lixin are the cows in the fields and the ones in the ponds. An ox is an ox that plows the land.

Chen Lixin, who was born in a scholarly family in Yongkang, Zhejiang Province, has been fond of cattle since he was a child, and can be good friends with cattle. Some people say that he came to this world just to paint cows.

I'm just starting out, and I still don't believe it. After I have known him for a long time, especially in the past few years, the cows he painted have more and more rural flavor, especially the deep affection in the eyes of the cows, and I gradually began to believe them.

Chen LixinCow has feelings. Not only did I like cows since I was a child, I painted cows since I was young, but I have been painting cows since I was 13 years old, and I have been painting for 35 years.

He is too familiar with real cows, they are always chewing and never eating. Satiety, which is said to be their rumination function.

I'm chewing in my mouth, and shit will come out from the back of my butt at any time. Isn't this a bit embarrassing, and people in the city will definitely scream when they see it.

You can smell cow feces and stench from far away, and it is always surrounded by a group of gadflies.

If you get too close, it will bite you unconsciously, that hurts, sometimes it's a gadfly, Sometimes you think it's a gadfly, but it's actually another kind of small and black bug. When it is bitten, it will bulge out a small bag, and it will be unbearably itchy, and it will form a group with the gadfly.

You are too far away to see the cow's demeanor.

Chen Lixin doesn't like to sit at home and draw imaginary cows, but to draw real cows, so he can get as close as he can.

5. The bull's eye in his writing is affectionate and likable

Chen Lixin is clear that a painter is a refiner of beauty, discovering beauty, expressing beauty, and presenting beauty, so his writing will always be the most beautiful content, magnifying the details of beauty, and painting beauty.

It is for these reasons that the cows described by Chen Lixin are not from the cows in the ancient paintings, but from the cows with flesh and blood in the fields, and then to the vivid cows in the sketchbook, and finally come to the heart of the bullish cow.

Therefore, when you see the cow written by Chen Lixin, it does not say that the ink is divided into five colors, and the white space is just right, and it does not say that the composition is exquisite and the shape and spirit are complete. Just look at the cow's eyes, the eyes are full of affection.

The deep affection in the eyes of the bull is the deep affection of the painter, the affection of the bull, the affection of the land living under his feet .

As Ai Qing said in the poem "I Love This Land": Why are there tears in my eyes? Because I love this land deeply...

There is no one who can draw such a look in the eyes of the famous masters of all dynasties, nor can he draw the deep affection of a cow, only Chen Lixin can.

This is the fundamental reason why these companies do not love masterpieces by famous artists of all dynasties, but love the cows painted by Chen Lixin.

This article is originally written by Chen Hongbiao, a member of the Chinese Writers Association, biographer, and painting and calligraphy critic Chen Hongbiao. The pictures are from the Internet. Unless otherwise stated, they are all paintings by artist Chen Lixin.

Special statement: The content of the above article only represents the author's own views and does not represent the views or positions of If you have any questions about the content of the work, copyright or other issues, please contact within 30 days after the work is published.

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